Abstract Square Exotic Travel Pigeons in Palaces India Rajasthan 2a Photograph by Sue Jacobi

Abstract Square Exotic Travel Pigeons in Palaces India Rajasthan 2a

by Sue Jacobi

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Poster

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Throw Pillow

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Shower Curtain

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Bath Towel

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Tote Bag

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Weekender Tote Bag

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Zip Pouch

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Portable Battery Charger

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Yoga Mat

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Greeting Card

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iPhone Case

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Beach Towel

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Round Beach Towel

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Men's Clothing

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Youth Clothing

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Title

Abstract Square Exotic Travel Pigeons in Palaces India Rajasthan 2a

Artist

Sue Jacobi

Medium

Photograph - Fine Art Photography - Digital Art

Description

Abstract Square Exotic Travel Pigeons in Palaces India Rajasthan 2a.
Recently I had the pleasure of traveling to several forts and palaces in India. Besides the awesome architectural marvels, these visits were also eye-openers for me in terms of local cultures and customs, as I had the chance to interact with many local visitors too. Another interesting thing for me, was the presence of gentle cows and well, almost gentle bulls, strolling along the streets apparently without a care in the world. In some forts like Jaisalmer, which houses a veritable township within its walls, the cows would be walking around right there, inside the fort. And last but not least, the pigeons. They seem to love to hang around these palaces and forts. They love the little alcoves and arches, and flitter about amongst them. Some forts have even little holes in the walls that one could only call pigeonholes, literally. I wonder if those pigeonholes had actually been built with pigeons in mind? Well, the pigeons certainly seem to think so!
I was so fascinated with these beautiful adopted �homes� of the pigeons, that I have done a series of images on this theme, some of them abstracts. This image is based on a photograph from Mehrangarh Fort in Jodhpur, also known as the Blue City, in Rajasthan, India. Mehrangarh is a magnificent fort dedicated to the Sun God! I was amazed at the rich architecture and the mind-boggling variety of architectural details to be seen in this sprawling fort, which contains several palaces. Mehrangarh (etymology: 'Mihir' (Sanskrit) -sun or Sun-deity; 'garh' (Sanskrit)-fort; i.e.'Sun-fort'); according to Rajasthani language pronunciation conventions,'Mihirgarh' has changed to 'Mehrangarh'; the Sun-deity has been the chief deity of the Rathore dynasty.
Mehrangarh Fort, located in Jodhpur, Rajasthan, is one of the largest forts in India. The fort is situated 400 feet (122 m) above the city and is enclosed by imposing thick walls. Inside its boundaries there are several palaces known for their intricate carvings and expansive courtyards. A winding road leads to and from the city below. The imprints of cannonball hits by attacking armies of Jaipur can still be seen on the second gate. To the left of the fort is the chhatri of Kirat Singh Soda, a soldier who fell on the spot defending the Mehrangarh fort.
There are seven gates, which include Jayapol (meaning 'victory'), built by Maharaja Man Singh to commemorate his victories over Jaipur and Bikaner armies. Fattehpol (also meaning 'victory') gate was built by Maharaja Ajit Singh to mark the defeat of the Mughals. The palm imprints upon these still attract much attention even today.
The museum in the Mehrangarh fort is one of the most well-stocked museums in Rajasthan. In one section of the fort museum there is a selection of old royal palanquins, including the elaborate domed gilt Mahadol palanquin which was won in a battle from the Governor of Gujarat in 1730. The museum exhibits the heritage of the Rathores in arms, costumes, paintings and decorated period rooms.
History : Rao Jodha one of Ranmal's 24 sons became the fifteenth Rathore ruler. One year after his accession to the throne, Jodha decided to move his capital to the safer location of Jodhpur, as the one thousand years old Mandore fort was no longer considered to provide sufficient security.
With the trusted aid of Rao Nara (son of Rao Samra), the Mewar forces were subdued at Mandore. With that, Rao Jodha gave Rao Nara the title of Diwan. With the help of Rao Nara, the foundation of the fort was laid on May 12, 1459[1] by Jodha on a rocky hill 9 kilometres (5.6 mi) to the south of Mandore. This hill was known as Bhaurcheeria, the mountain of birds. According to legend to build the fort he had to displace the hill's sole human occupant, a hermit called Cheeria Nathji, the lord of birds. Upset at being forced to move Cheeria Nathji cursed Rao Jodha with "Jodha! May your citadel ever suffer a scarcity of water!". Rao Jodha managed to appease the hermit by building a house and a temple in the fort very near the cave the hermit had used for meditation, though only to the extent that even today the area is plagued by a drought every 3 to 4 years. Jodha then took an extreme measure to ensure that the new site proved propitious; he buried a man called "Raja Ram Meghwal" alive in the foundations. "Raja Ram Meghwal" was promised that in return his family would be looked after by the Rathores. To this day his descendants still live in Raj Bagh, "Raja Ram Meghwal's" Garden, an estate bequeathed them by Jodha.
Mehrangarh (etymology: 'Mihir' (Sanskrit) -sun or Sun-deity; 'garh' (Sanskrit)-fort; i.e.'Sun-fort'); according to Rajasthani language pronunciation conventions,'Mihirgarh' has changed to 'Mehrangarh'; the Sun-deity has been the chief deity of the Rathore dynasty.[2] Though the fortress was originally started in 1459 by Rao Jodha, founder of Jodhpur, most of the fort which stands today dates from the period of Jaswant Singh (1638�78). The fort is located at the centre of the city spreading over 5 kilometres (3.1 mi) atop a high hill. Its walls, which are up to 36 metres (118 ft) high and 21 metres (69 ft) wide, protect some of the most beautiful and historic palaces in Rajasthan.
Entry to the fort is gained though a series of seven gates. The most famous of the gates are:
� Jai Pol ("Gate of Victory"), built by Maharaja Man Singh in 1806 to celebrate his victory in a war with Jaipur and Bikaner.
� Fateh Pol, built to celebrate a victory over the Mughals in 1707;
� Dedh Kamgra Pol, which still bears the scars of bombardment by cannonballs;
� Loha Pol, which is the final gate into the main part of the fort complex. Immediately to the left are the handprints (sati marks) of the ranis who in 1843 immolated themselves on the funeral pyre of their husband, Maharaja Man Singh.
Within the fort, several brilliantly crafted and decorated palaces are found. Of these, Moti Mahal (Pearl Palace), Phool Mahal (Flower Palace), Sheesha Mahal (Mirror Palace), Sileh Khana, and Daulat Khana are notable. One also finds the fort museum comprising several palaces. This museum houses a collection of palanquins, howdahs, royal cradles, miniatures, musical instruments, costumes and furniture. The ramparts of the fort are home to not only several excellently preserved old cannon (including the famous Kilkila) but also offer a breath-taking view of the city.
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