Slice of Life Garbage Disposal Indian Village Rajasthani 3f

by Sue Jacobi

Title

Slice of Life Garbage Disposal Indian Village Rajasthani 3f

Artist

Sue Jacobi

Medium

Photograph - Fine Art Photography - Digital Art

Description

Slice of Life Garbage Disposal Indian Village Rajasthani 3f.
I recently had the privilege of visiting and staying in several villages in Rajasthan, India. It was an amazing experience and a real eye-opener. This image is one from a series depicting village life scenes.
In this series of images, a Rajasthani woman is disposing of the loose mud and dirt that she has just swept off her rather large front porch or courtyard using a soft broom. The front porch is made of a special kind of mud that has been hardened and caked up to form the floor of the porch. As the basic material used is mud, quite a bit of loose dirt is unearthed and gathered up each time it is swept � typically twice a day. The woman then gathers it up into a shallow pan or bucket, which she carries gracefully to a specific place at the end of her yard, and dumps it there, creating a picturesque little cloud of dust.
This front porch or courtyard seems to play, in a way, a very important part in their lives. Little wonder that it is swept two or three times a day! For one thing, the porch is where the family hangs out most of the time. Neighbors, relatives and friends drop in spontaneously throughout the day, and they too hang around on the porch. After all, there is no living room in the house (usually only 2 or 3 bedrooms), so the porch would be a logical place to hang out. Besides, the weather is sunny and warm most of the year. There is a bit of shade offered by the bedrooms or open shed buildings leading off the porch, so there�s always some place to sit, which is not directly hit by the sun. A couple of cots made of coir rope (coconut fibre rope) are strewn about the porch. People sit on these, or on the floor, as they please. At night some of the family members usually choose to sleep on these same rope cots in the porch, enjoying the fresh air and the view of the stars in the sky above. And the pots � not to forget those pots!!! Practically every house I visited (and I visited quite a few!) has a ledge or alcove or open shelf on the front porch, where a couple of terracotta, clay or earthen pots are proudly displayed. These contain fresh drinking water, a precious and prized commodity in arid Rajasthan, for family and visitors to drink from. The pots are closed with lids, and on the lid sits a stainless steel mug to drink the water from.
In Rajasthan and North-West India, a dhani is the smallest conglomeration of huts. All families living in a Dhani are relatives of each other or at least are of the same caste. Most Indian villages are small; nearly 80 percent have fewer than 1,000 inhabitants, according to the Indian census 2001. Most are nucleated settlements, while others are more dispersed. It is in villages that India's most basic business�agriculture�takes place.
For a tourist visiting Rajasthan for the first time, it is actually difficult to find a village in the vast stretches of barren land. It is only when a herd of cattle is seen around that the tourist gets an inkling of a village nearby.
Dhanis are ancillaries to the village. Those who want to live in proximity to their fields make their huts in the field and are able to take care of their crop in a better way. The crop when ready is a valuable asset and needs to be properly guarded from stray animals and enemies.
A dhani(also known as a boothra) is a complex socio-economic unit. According to the Revenue Act, in India this is smallest viable unit. A cluster of a few houses is known as �Dhani� in Rajasthan. Indian villages are definitely simple. A cluster of mud-plastered walls shaded by a few trees, set among a stretch of green fields, men sitting under some old tree smoking bidis or beedis with fellow villagers of their own age group, ladies with veiled faces moving towards the central well to fetch water, cattle making many types of noises, children playing typical village games like gilli-danda and satoliya�all present an image of eternally peaceful bliss and harmony.
Indian city dwellers often refer nostalgically to their native village and how they miss that life but soon are taken back by absurdly hectic city life. City artists portray colorfully garbed village women gracefully carrying water pots on their heads, and writers describe isolated rural settlements unsullied by the complexities of modern urban civilization. Poets including Indian National Poet Maithili Sharan Gupta have written poems in praise of village life. Social scientists of the past wrote of Indian villages as virtually self-sufficient communities with few ties to the outside world.
Since all marriages are done in the same or nearby village, villagers in India manifest a deep loyalty to their village, identifying themselves to strangers as residents of a particular village, harking back to family residence in the village that typically extends into the distant past. A family rooted in a particular village does not easily move to another, and even people who have lived in a city for a generation or two refer to their ancestral village as "our village." Even business communities who have moved to far-off places for business activities like traders from Rajasthan in Kolkata, Chennai and Assam make it a point to visit their native village for performing social ceremonies.
No matter how strong the bond of the villagers is, their unity is challenged by a lot of conflicts, rivalries, and factionalism. Disputes, strategic contests and even violence occur. Most villages of India include prosperous, powerful people, who are fed and serviced through the labors of the lower-class people.
The village dwelling unit, popularly known as a hut, is usually circular in shape. Its simplest hamlets, the most basic form of civilisation with a way of life that has probably remained unchanged since centuries, consist of a collection of huts that are circular, and have thatched roofs. The walls are covered with a plaster of clay, cow dung, and hay, making a termite-free (antiseptic) facade that blends in with the sand of the countryside around it. It is thatched with grass and hay. Sometimes clay moulded Kelu are also used. Boundaries for houses and land holdings, called baras, are made of the dry branches of a nettle-like shrub, the long, sharp thorns a deterrent for straying cattle. The huts so made are technically hygienic and give the feeling of air conditioning. In summers they remain cool and in winters it remain warm. If a dhani looks bleak, it is hardly surprising: the resources for building these homes, which are the most eco-friendly living unit, are made with what is available at hand, and in Rajasthan, and particularly so in its western desert regions, this can mean precious little. A village that is even a little larger may have pucca houses, or larger living units, usually belonging to the village Zamindar (landlord) family. Consisting of courtyards, and a large Nora or cattle enclosure, attached to one side or at the entrance, these are made of a mixture of sun-baked clay bricks covered with a plaster of lime.
Indian villagers share use of common village facilities�the village pond (known in India as a tank), grazing grounds, temples and shrines, cremation grounds, schools, sitting spaces under large shade trees, wells, and wastelands. Every village has a pond where cattle and children bathe and play. It is a romantic place where youngsters get a chance to steal a glimpse of their beloved. Outside the village or in the center, a temple is must in every village. In eastern part of India there are more than one ponds & ponds are often reserved separately on the basis of gender.
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Context: travel photography, slice of life, family portrait, front porch, yard, water, courtyard, cot, coir, rope, pan, bucket, broom, drinking water, potable water, mug, pot, candid, casual, pots, sweep, clean, candid photography, village scene, Indian village, village life, Rajasthani village, travel art, sue jacobi, rural culture, Indian cuisine, colorful costume, colorful attire, indian culture, hindu culture, casual portrait, woman cooking baking chulha mud traditional oven tandoor tandoori stove traditional vintage image retro attire squat squatting village rural Rajasthan farmer landlord shepherd cow cattle india rajasthani dhoti lehenga exotic agriculture man people portrait countryside road roadside street sidewalk farm farmhouse traditional sun sunny hot warm heat summer indians persons clothes attire style exotic tropical tourist tourism travel wardrobe hindu lush shrubs greenery green arid desert photo shot image picture digital art painting.

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March 23rd, 2015

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